

In the meantime trying to find something to really cheer about!
"Dear Diary:
I was attending a group-show gallery opening in Chelsea, when I noticed a small Jack Russell terrier in the middle of several people who were talking, drinks in hand.
I began to see the dog was moving about, situating himself in the middle of different groups of people. Occasionally he barked and scampered around, capturing the other gallery patrons’ attention.
At some point it struck me that the dog was in the gallery by himself. I reached down and looked at the tag around its neck. On it was written, “Don’t Mess With Me, I Know My Way Home.” On the other side of the tag was a Yankees logo.
Later that evening, I saw the dog in another gallery, and I felt that perhaps he was going to various openings and was networking."
After reading page after page of Proust's description of his madeleines and because there is not a decent french pastry shop in the vicinity I baked my own madeleine tea cakes. Proust makes you do the most amazing things...
Voila the recipe I used:
Ingredients
1 cup sugar
3 eggs
Grated zest of 1 lemon (or orange)
2 1/4 cups cake flour
1 3/4 baking poser
1 teaspoon vanilla extract or three pinches of vanilla powder
5 oz unsalted butter, softened or melted but not warm
1/3 cup milk
Madeleine molds, pastry bag and plain tip
Instructions
1. Brush molds with softened butter and then flour. Tap out extra flour.
2. Cream eggs and sugar in a mixing bowl with whisk or electric mixer, until light yellow and creamy.
3. Add dry ingredients and zest and beat until blended.
4. Beat in the butter and then milk.
5. Let rest for 10-15 minutes.
6. Set oven to 400˚F.
7. Pipe batter with pastry bag and tip into madeleine molds up to the rim. Bake for 12-15 minutes until golden. Cool them before you eat.
PS: With whole wheat flour, yogurt, pieces of chicken liver and pieces of small cubed apple and crushed garlic make a mix and pour it in madeleine molds -very very lightly oil the molds with flux oil or olive oil- and bake and make "doggy madeleines" and spoil your doggies!
Last night Babette had an unusual and long dream. Her paws were in full motion and her ears and whiskers were twitching, her nose got very busy sniffing something interesting. Suddenly she moaned and made crying sounds and her legs moved more and more wildly as if she was now really really running and her tail started to go up and down and shake left and right. I believe what ever she was up to became not so pleasant anymore! When she opened her eyes, she had the face of a dazed dog. I wondered if she had a nightmare and was relieved to awake and get out of whatever she was dreaming. Of course we can never tell..
I read that not all animals that experience REM sleep necessarily dream. Some think that perhaps only mammals dream during REM sleep. However, dolphins, thought to be highly intelligent do not have any REM sleep whatsoever!
I was surprised to read that elephants,giraffes,cows,horses and even sheep dream too!
Apparently elephants don't change in posture when entering or exiting REM sleep. Therefore, it is often difficult to tell if they are in NonREM or REM sleep. It is hard to see the eye movements since their eyes are relatively small. However, some indicators of REM sleep in elephants, as well as other animals, are twitches, vocalizing and irregular breathing.
Giraffes have about 20 min. of REM sleep each night in episodes of 1-6 minutes each. During this time, they lie down, heads resting over their bodies or on the ground.
Horses which must lie down to experience REM sleep, sometimes move their legs while sleeping, and will even neigh in their sleep!
Sheep who often sleep in a "sphinx-like" position occasionally stretch out while sleeping. During this time, they experience many REM sleep-like sleep. During this time, they have eye movements and ears and their legs occasionally twitch.
Interesting, isn't it?
They could have saved their time and money. Anyone who lives with animals knows they do indeed detect emotions and navigate the changes.Maybe the scientists should study why most humans do not.
"There on the left as one entered...was a huge dog with a chain round its neck. It was painted on the wall and over it, in big capitals, was written: Beware of the Dog."
Petronius, Satyricon (XXIX)
AESOP'S FABLES
'The Frogs were living as happy as could be in a marshy swamp that just suited them; they went splashing about caring for nobody and nobody troubling with them. But some of them thought that this was not right, that they should have a king and a proper constitution, so they determined to send up a petition to Jove to give them what they wanted.
"Mighty Jove," they cried, "send unto us a king that will rule over us and keep us in order." Jove laughed at their croaking, and threw down into the swamp a huge Log, which came down -Splash! - into the swamp.
The Frogs were frightened out of their lives by the commotion made in their midst, and all rushed to the bank to look at the horrible monster; but after a time, seeing that it did not move, one or two of the boldest of them ventured out towards the Log, and even dared to touch it; still it did not move. Then the greatest hero of the Frogs jumped upon the Log and commenced dancing up and down upon it, thereupon all the Frogs came and did the same; and for some time the Frogs went about their business every day without taking the slightest notice of their new King Log lying in their midst. But this did not suit them, so they sent another petition to Jove, and said to him,
"We want a real king; one that will really rule over us."
Although Hollar's reputation lies mainly in his topographical and architectural etchings, Wenceslaus Hollar (1607-1677) is considered the first artist working in England to view book illustration as an independent art form, and this effect can be seen in his Aesop illustrations, which show a fresh approach to interpreting the story. Publisher John Ogilby (1600-1676) employed Hollar to provide new illustrations for his second edition of The Fables of Aesop , published in 1665. Václav (Wenceslaus or Wenzel) Hollar was an etcher-engraver from Prague who worked for booksellers in London from 1652. Along with Francis Barlow, he was one of the pre-eminent etchers working in Britain in the 17th century. An enormous number of Hollar's plates - around 2700 - survive. You can view them on line at Victoria and Albert Museum Collection which I frequently do and take immense pleasure doing it. Vive la technology!