
AESOP'S FABLES
The Frogs Desiring a King
'The Frogs were living as happy as could be in a marshy swamp that just suited them; they went splashing about caring for nobody and nobody troubling with them. But some of them thought that this was not right, that they should have a king and a proper constitution, so they determined to send up a petition to Jove to give them what they wanted.
"Mighty Jove," they cried, "send unto us a king that will rule over us and keep us in order." Jove laughed at their croaking, and threw down into the swamp a huge Log, which came down -Splash! - into the swamp.
The Frogs were frightened out of their lives by the commotion made in their midst, and all rushed to the bank to look at the horrible monster; but after a time, seeing that it did not move, one or two of the boldest of them ventured out towards the Log, and even dared to touch it; still it did not move. Then the greatest hero of the Frogs jumped upon the Log and commenced dancing up and down upon it, thereupon all the Frogs came and did the same; and for some time the Frogs went about their business every day without taking the slightest notice of their new King Log lying in their midst. But this did not suit them, so they sent another petition to Jove, and said to him,
"We want a real king; one that will really rule over us."
Although Hollar's reputation lies mainly in his topographical and architectural etchings, Wenceslaus Hollar (1607-1677) is considered the first artist working in England to view book illustration as an independent art form, and this effect can be seen in his Aesop illustrations, which show a fresh approach to interpreting the story. Publisher John Ogilby (1600-1676) employed Hollar to provide new illustrations for his second edition of The Fables of Aesop , published in 1665. Václav (Wenceslaus or Wenzel) Hollar was an etcher-engraver from Prague who worked for booksellers in London from 1652. Along with Francis Barlow, he was one of the pre-eminent etchers working in Britain in the 17th century. An enormous number of Hollar's plates - around 2700 - survive. You can view them on line at Victoria and Albert Museum Collection which I frequently do and take immense pleasure doing it. Vive la technology!
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